Best Blondie songs since Maria...
- Dr Stephen HIll
- Dec 16, 2021
- 2 min read
Updated: 16 hours ago
F. Scott Fitzgerald once wrote that 'there are no second acts in American lives'; however the news that tickets are on sale for a 2021 Blondie arena tour "Against The Odds" calls that famous aphorism into question. Twenty-two years into a reunion that began with sessions to record a couple of new tracks for a greatest hits compilation, and the punk icons are poised to make a new album: their sixth collection of new material since 'Maria' topped the charts in 1999.
Best of Blondie since Maria
The Blondie reunion has not only outlasted their original incarnation, but a new LP will balance the canon: the six original albums will be matched by six 'new' ones. This demands a re-evaluation of their 21st Century output, which is often overshadowed by the pulling power of their earlier back catalogue. Ever the singles band, here we take a look at sixteen bangers that would make a sublime sequel to the original Best of Blondie released in 1981.
Best Blondie Songs Since Maria
"Studio 54" (1998): A tentative yet promising re-emergence, blending rock-pop with a disco edge.
"Maria" (1999): A triumphant comeback single, echoing their earlier doo-wop influences and achieving chart success.
"Nothing Is Real But The Girl" (1999): A futuristic new wave track, remixed for dance floors and showcasing Debbie Harry's vocal versatility.
"Under The Gun" (1999): A potent blend of Duran Duran and U2 influences, representing the sound Blondie could have made in the 80s.
"Screaming Skin" (2000): An energetic album opener, blending late 70s new wave influences.
"Good Boys" (2003): A catchy, electroclash-inspired track reminiscent of "Heart of Glass."
"End To End" (2003): A hybrid of "Call Me" and spaghetti western sounds, showcasing a unique sonic blend.
"Two Times Blue" (2007): A strong solo track from Debbie Harry that seamlessly integrates into Blondie's sound.
"What I Heard" (2010): A glitzy, new-wave stomper that marked a successful return to form.
"Mother" (2011): A poignant track exploring themes of family and loss, showcasing lyrical depth.
"Rave" (2014): A high-energy, dance-oriented track demonstrating Blondie's ability to embrace contemporary sounds.
"Mile High" (2014): A collaboration with Hector Fonseca, showcasing their EDM influences.
"Fun" (2017): A chart-topping single blending pop and new wave, solidifying their continued relevance.
"Long Time" (2017): A shimmering, guitar-led track reminiscent of their 70s sound.
"Too Much" (2017): A powerful duet with Joan Jett, offering a politically charged message.
"Doom or Destiny" (2017): A concise and catchy power pop track, a fitting conclusion to their later output.
Watch all the videos including several site exclusives: Best of Blondie 2.0
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